His artistic practice serves as a ground for self-discovery through questioning human behavior and social structures within the Caribbean. He reimagines environments and social interactions anchored in a discursive exploration of contemporary socio-economical, racial, and identity issues.

Exploring the inherent discomfort of these subject matters, he tears them down in search of resistance and freedom through thought-provoking representations of reappropriated spaces for collective joy and celebration.

Carela’s work has been exhibited across the Dominican Republic, New York and Miami; his work was also recently shown at (RCAH) Michigan State University’s “Unbound” exhibition created by The Diaspora Solidarities Lab.