Tiempo lineal fragmentado o La historiografía antropocéntrica es una falacia obsoleta, 2026
Paint/installation (tempera, ink, bleach on canvas, rubble and natural elements)
85 x 50 in approx.
Price upon request
Oil on fabric
30.25 x 37.5 in
76.84 x 95.25 cm
Price upon request
Borramiento (Erasure) 5, 2026
Bleach, ink, tempera on canvas
27.5 x 40 in
Price upon request
Sin título (Untitled), 2026
Bleach and ink on canvas
34 x 25 in
Price upon request
Fragmento de mar (Ocean Fragment), 2026
Oil on rubble
10.5 x 7 x 2 in
Price upon request
Every Capitalist Dreams of Becoming a Monopolist, 2025
Digital print on paper and rubble
30 x 21 in
76.2 x 53.3 cm
Price upon request
Mixed media on canvas
45 x 50 in
114.3 x 127 cm
Mixed technique on linen
30.25 x 41 in
76.84 x 104.14 cm
Ink and acrylic paint on fabric
50 x 72 in
127 × 182.88 cm
Oil on linen
47.5 x 59 in
120.65 x 149.86 cm
Oil on linen
11 x 14 in
27.94 x 35.56 cm
Mixed media on linen
67 x 86 cm
26.4 x 33.9 in
Oil on linen
24.4 x 42.7 in
62 x 108.5 cm
24.4 x 42.7 in
62 x 108.5 cm
Mixed technique on canvas
30 x 38 in.
In Laura’s practice, landscape painting constitutes a tool of rootedness and political imagination that allows her to delve into her own relationship with her place of origin, beyond nationalist and patriarchal constructions about Dominican identity in which she doesn’t feel included. For some time now, she has been developing various pictorial languages simultaneously as a way to be coherent with her heterogeneous roots and as a celebration of her brownness. The act of painting is, for Castro, a space to remember and reconstruct relationships that have been interrupted and erased by colonialism.
30 x 38 in.
In Laura’s practice, landscape painting constitutes a tool of rootedness and political imagination that allows her to delve into her own relationship with her place of origin, beyond nationalist and patriarchal constructions about Dominican identity in which she doesn’t feel included. For some time now, she has been developing various pictorial languages simultaneously as a way to be coherent with her heterogeneous roots and as a celebration of her brownness. The act of painting is, for Castro, a space to remember and reconstruct relationships that have been interrupted and erased by colonialism.