GABRIELA AGREDA
Untitled, 2024

Oil on canvas

94.25 x 69 in




La Guaira-Caracas, 2024

Oil on canvas

42 x 31 in.



Isolated Nation, 2022-2023
Oil on canvas

42 x 31 in



Untitled, 2023
Oil on canvas

52.9 x 65.3 in





VERA AUTERIO
Series: 
Please don’t be long I (Por favor no tardes I), 2023
Intervened textile with embroidery and acetate

55.1 x 62.9 in
140 x 160 cm






Series:
Please don’t be long II (Por favor no tardes II), 2023
Intervened textile with embroidery and acetate

55.1 x 62.9 in
140 x 160 cm




Series:
Please don’t be long III (Por favor no tardes III), 2023
Intervened textile with embroidery and acetate

55.1 x 62.9 in



Series:
Please don’t be long IV (Por favor no tardes IV), 2023
Intervened textile with embroidery and acetate

55.1 x 62.9 in



MACARENA CÁRDENAS BENAVIDES
INSTANTES INVISIBLES IV, 2024
Photo transfer and colored pencil on natural fabric

43.3 x 35.4 in
110 x 90 cm







INSTANTES INVISIBLES III, 2024
Photo transfer and colored pencil on natural fabric

43.3 x 35.4 in
110 x 90 cm





INSTANTES INVISIBLES II, 2024 
Photo transfer and colored pencil on natural fabric

43.3 x 35.4 in
110 x 90 cm




INSTANTES INVISIBLES I, 2024
Photo transfer and colored pencil on natural fabric

43.3 x 35.4 in
110 x 90 cm




MERCADO II, 2025
Photo weaving on cotton paper

10.6 x 8.6 in
27 x 22 cm




MERCADO I, 2024 
Photo weaving on cotton paper

15.9 x 11.4 in
40 x 29 cm





JONATHAN CARELA
No C-V-D II, 2024
Mixed media on paper

11 x 15 in.






Palte Atrá, 2024
Mixed media on paper

11 x 15 in.





Paltío Atrá, 2024
Mixed media on paper

11 x 15 in.




Cómetelo ACU!

Acrylic on canvas

36 x 60 in.






Yegó la Lú, 2023

Acrylic on canvas

36 x 60 in

“Yegó La Lú” depicts the socioeconomic condition and the complex relationship between electricity service and everyday life in the Dominican Republic and much of the Caribbean. Through the depiction of a transformer emitting flashes, the artwork symbolizes the hope and the uncertainty associated with this basic service. Inspired by memories of transformers exploding in the Los Transformadores sector of La Caleta where he grew up, the painting blurs the line between happiness, danger, and uncertainty, reflecting on the crucial importance of electricity for aspects such as food production, entertainment, and work. The cry of “Yegó La Lú” embodies the euphoria and urgency with which electricity is received back, instantly activating devices that illuminate and vitalize both homes and the streets.




JOHANNA CASTILLO
Ode to my aunts - Morena y Ramona 
(from I JUST WANT SOMETHING RED) Timeless
Digital knitted tapestry with reclaimed fibers
54 × 62 in 
137.1 × 157.4 cm

Unframed
Edition of 100 - Made to order (Time to produce 2-3 weeks)






Wounds, 2017

Reclaimed textiles

 8 1/4 × 8 1/4 in 
20.9 × 20.9 cm




Roots, 2017

Reclaimed textiles

8 1/4 × 8 1/2 in 
20.9 × 21.5 cm



The Fair (La Feria), 2021
Reclaimed plastic bags and cotton thread 

8 1/8 × 6 3/4 in 
20.6 × 17.1 cm 

Unframed Unique




Where do we go from here?, 2021 
Reclaimed plastic bags and textiles 

6 3/4 × 10 in 
17.1 × 25.4 cm



March 5 - Today I was walking (Marzo 5 - Hoy estaba caminando), 2021
Reclaimed textiles and text

7 × 14 in 
17.8 × 35.6 cm

Unframed Unique




No matter what I do, you will eventually dislike me
(No importa lo que yo haga eventualmente te voy a caer mal), 2021
Reclaimed textiles, cowrie shell on textiles 

14 × 11 in 
35.6 × 27.9 cm

From series: Portal 03: Water Holds Memory) 

Unframed Unique

Photo Credit: William Tuesca




The things I say, the things I think but never say and the things I am afraid to say 
(Las cosas que digo, las cosas que pienso pero que nunca digo y las cosas que me asusta decir), 2022
Reclaimed textiles, cowrie shell on textiles 

24 in x 21 in 
60.9 cm x 53.3 cm

From series: Portal 03: Water Holds Memory

Unframed Unique

Photo Credit: William Tuesca




Water (Agua), 2023
Reclaimed textiles, cowrie shell and sound waves

19 × 19 in 
48.3 × 48.3 cm


Artwork in response to song “Agua” by Eli Mena
/ Obra en respuesta a la canción Agua de Eli Mena

From series: Portal 03: Water Holds Memory

Unframed Unique

Photo Credit: William Tuesca




July 11th - Today my heart hurts 
(Julio 11 - Hoy me duele el corazón), 2023 
Reclaimed textiles, hair accessories, cowrie shell on textiles

24 × 24 in 
60.9 × 60.9 cm

Unframed - unique

Photo credit: Federico Fernández





LAURA CASTRO
Borramiento (Erasure), 2025

Mixed media on linen

67 x 86 cm
26.4 x 33.9 in


ri


Río rojo (Red River), 2025
Oil on linen

62 x 108.5 in
24.4 x 42.7 cm





Humedal, 2024
Mixed technique on canvas 

30 x 38 in.



In Laura’s practice, landscape painting constitutes a tool of rootedness and political imagination that allows her to delve into her own relationship with her place of origin, beyond nationalist and patriarchal constructions about Dominican identity in which she doesn’t feel included. For some time now, she has been developing various pictorial languages simultaneously as a way to be coherent with her heterogeneous roots and as a celebration of her brownness. The act of painting is, for Castro, a space to remember and reconstruct relationships that have been interrupted and erased by colonialism.




Land as self, 2024
Oil on canvas

40 x 27.5 in.



In Laura’s practice, landscape painting constitutes a tool of rootedness and political imagination that allows her to delve into her own relationship with her place of origin, beyond nationalist and patriarchal constructions about Dominican identity in which she doesn’t feel included. For some time now, she has been developing various pictorial languages simultaneously as a way to be coherent with her heterogeneous roots and as a celebration of her brownness. The act of painting is, for Castro, a space to remember and reconstruct relationships that have been interrupted and erased by colonialism.





SOFÍA ESPÍNDOLA

Ornamental Series: Herbarium of the Feigned, 2025

High-temperature porcelain with plastic interventions in oil paint.

66.9 x 23.6 in
170cm x 60 cm






Armadura 2. Now it's my turn to take care of myself, 2025
Stoneware in Raku technique and fabric applications

19.7 x 15.7 in
50 x 40 cm


Armor 2. Now It's Time to Take Care of Myself

The second work, Now It's Time to Take Care of Myself, speaks to the experience of growing up, breaking down, and blooming through trial and error, independence, and solitude. The artist rebuilds a family nucleus from a place of independence, creating a new nest and finding ways to protect and care for herself.

This piece reflects the need to find a sense of belonging and safety in a hostile world—returning to anchoring figures and the comforts of childhood, while creating a space of her own where she can feel safe and protected. The work becomes a symbol of resilience and the ability to flourish in the midst of adversity.







Armadura 1. Mapeo de piel que recorre el tiempo (Armor 1. Skin Mapping Through Time), 2025
Stoneware with copper finishes and oil intervention

17.72 x 19.69 in
45 × 50 cm


“Armor 1. Skin Mapping Through Time” by Sofía Espíndola is part of a series born from an urgent need for protection against the weight of external judgment.

The armor, as a symbolic shell, is shaped and reshaped by social expectations — beauty, youth, perfection — until it begins to distort. But in this piece, the armor is no longer rigid: it becomes vulnerable. A scarf of wrinkled skin wraps around the chest and body, embracing what is usually hidden.

Skin, a witness of time, becomes both map and manifesto. The work offers an intimate form of resistance against the imposition of eternal youth — an unattainable ideal that often demands the abandonment of authenticity.

Here, the armor does not conceal: it protects the truth of a body that lives, changes, and resists. It celebrates imperfection as a form of beauty, transforming the shield into a gesture of self-acceptance.






Anatomía de una lágrima, pt.1 Contención, 2025
Ceramics with copper glaze in a reduction atmosphere.

15.75 × 15.75 in.
40 x 40 cm




Feliz inicio del fin , 2025
Cerámica de alta temperatura

30 x 30 cm.
11.8 × 11.8 in.





GUSTAVO GHAVAMI
Tube, 2024
Metal rod, mesh, tie wire

7.5 x 9 x 36 in.








Foundation, 2024
Wood, metal, canvas

36 x 36 in.





Hecho A Mano, 2024
Rebar

16 x 57 in.




ANDREA GRAU
The memories are all you have for now, 2025

Oil and graphite on canvas

59 × 47.25 in.
150 cm x 120 cm.
Price may be subject to the addition of local VAT.*






A moment of silence, 2025

Oil on canvas

37 × 57.5 in.
94 × 146 cm.
Price may be subject to the addition of local VAT.*





Rain is falling, 2025

Oil on canvas

59 × 59 in.
150 × 150 cm.
Price may be subject to the addition of local VAT.*





Again, again and again, 2025

Oil on canvas

Diptych:

44.09 × 26.97 in. (112 × 68.5 cm.)
46.06 × 27.17 in. (117 × 69 cm.)
Price may be subject to the addition of local VAT.*





I want to go somewhere beautiful, 2025

Oil on canvas

42.13 × 74.80 in.
107 × 190 cm.
Price may be subject to the addition of local VAT.*





Too many tears, 2024
Oil on canvas

19.69 × 15.75 in
50 × 40 cm.
Price may be subject to the addition of local VAT.*





I just wanted to feel the love, 2024

Oil on canvas

42.52 × 37.40 in.
108 × 95 cm.
Price may be subject to the addition of local VAT.*





Let me go, 2024

Oil on canvas

7.87 × 9.84 in.
20 × 25 cm.
Price may be subject to the addition of local VAT.*





Here I go again, 2025

Oil on canvas

15.75 × 11.81 in.
40 × 30 cm.
Price may be subject to the addition of local VAT.*





Against all odds, 2025

Oil on canvas

15.75 × 19.69 in
40 × 50 cm.
Price may be subject to the addition of local VAT.*





I've waited, 2025

Oil on canvas

19.69 × 19.69 in.
50 × 50 cm.
Price may be subject to the addition of local VAT.*





The end, 2024

Oil on canvas

54.33 × 63.78 in.
138 × 162 cm.
Price may be subject to the addition of local VAT.*





Hard to do the right thing, 2025

Oil on canvas

23.62 × 55.12 in.
60 × 140 cm.
Price may be subject to the addition of local VAT.*





Into the Mystic, 2024

Oil on canvas

68.11 × 54.33 in.
173 × 138 cm.
Price may be subject to the addition of local VAT.*





The Crying Scene, 2023

Oil on canvas
25 x 30 in.





Pain (Triptych), 2023

Oil on canvas
66 x 27 in.





Untitled, 2023 Untitled, 2023

Oil on canvas

36 x 48 in.





Untitled, 2023

Cotton, handwoven on TC2

26 x 26 in.



“Untitled” (2023) is part of an ongoing investigation into the possibilities within the loom and her relation to it. Handwoven on a Jacquard loom, she combines technical skill with digital innovation to explore the performative nature of weaving — from the physical engagement it requires to the personal, up-close connection with the device itself. In doing so, Andrea delves deeper into themes of identity, intimacy, and memory. Memory embodies the recollection of something that has ceased to exist, no longer present but persisting in consciousness. Through this artwork, Andrea endeavors to unveil layers of vulnerability, delicately revealing the essence of the feminine form, bringing to light emotions that lie beyond the surface, a tether to our origins and the earth beneath us.





Untitled, 2023

Cotton, handwoven on TC2

26 x 26 in.



“Untitled” (2023) is part of an ongoing investigation into the possibilities within the loom and her relation to it. Handwoven on a Jacquard loom, she combines technical skill with digital innovation to explore the performative nature of weaving — from the physical engagement it requires to the personal, up-close connection with the device itself. In doing so, Andrea delves deeper into themes of identity, intimacy, and memory. Memory embodies the recollection of something that has ceased to exist, no longer present but persisting in consciousness. Through this artwork, Andrea endeavors to unveil layers of vulnerability, delicately revealing the essence of the feminine form, bringing to light emotions that lie beyond the surface, a tether to our origins and the earth beneath us.





VERÓNICA MADRID-MALO
Ejercicios Floragramáticos #12 
(Floragrammatical exercises #12), 2024

Ink, string, cloth on paper 

15.5 x 11 in
39,5 cm x 28 cm






Ejercicios Floragramáticos #12 
(Floragrammatical exercises #12), 2021

Ink, string, cloth on paper 

12.3 x 13.5 in
31,2 cm x 34,4 cm





Ejercicios Floragramáticos #11 
(Floragrammatical exercises #11), 2021

Ink, string, cloth on paper 

12.3 x 13.5 in
31,2 cm x 34,4 cm




Ejercicios Floragramáticos #10 
(Floragrammatical exercises #10), 2021

Ink, string, cloth on paper 

12.3 x 13.5 in
31,2 cm x 34,4 cm




Ejercicios Floragramáticos #3 
(Floragrammatical exercises #3), 2021

Ink, string, cloth on paper 

12.3 x 13.5 in
31,2 cm x 34,4 cm




Letters to no one and a sad moon: The windows (Cartas a nadie y una luna triste: Las ventanas), 2021

Ink, gilded paper, string, acuarela, and cloth on paper

30.31 x 21.65 in

77 cm x 55 cm